By Olga Nuñez
I bring you the prequel (well, sort of) a book I reviewed some time ago, and one many readers have read and loved since.
Stolen Summers: A heartbreaking tale of betrayal, confinement and dreams of escape by Anne Goodwin
All she has left is her sanity. Will the asylum take that from her too?
In 1939, Matilda is admitted to Ghyllside hospital, cut off from family and friends. Not quite twenty, and forced to give up her baby for adoption, she feels battered by the cruel regime. Yet she finds a surprising ally in rough-edged Doris, who risks harsh punishments to help her reach out to the brother she left behind.
Twenty-five years later, the rules have relaxed, and the women are free to leave. How will they cope in a world transformed in their absence? Do greater dangers await them outside?
The poignant prequel to Matilda Windsor Is Coming Home is a tragic yet tender story of a woman robbed of her future who summons the strength to survive.
Universal link: https://books2read.com/StolenSummers
About the author:
Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
Anne writes about the darkness that haunts her and is wary of artificial light. She makes stuff up to tell the truth about adversity, creating characters to care about and stories to make you think. She explores identity, mental health and social justice with compassion, humour and hope.
An award-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.
I write this review as a member of Rosie’s Book Review Team (author, check here if you are interested in getting your book reviewed) and thank her and the author for this opportunity.
I was lucky enough to read Matilda Windsor Is Coming Home, the previous book Anne Goodwin wrote about the same character, Matilda, before its publication as well, and I was moved, saddened, touched, and delighted, all in one. A tragic story, made worse because, although fictional, it is not an uncommon one, and it bears witness to the many people who ended up spending their lives in the old psychiatric asylums, sometimes for reasons that had little to do with their mental health.
In this novella, which the author describes as a prequel, but, at least in my opinion, isn’t exactly that, we get to fill in some of the gaps of the previous book. This novella, although written in the third person (apart from some letters Matilda addresses to her brother, Henry, one of the characters who play a major part in the original novel) only has one narrator, Matilda herself, and it alternates two different periods of time: 1939-1940, exploring what happens when Matilda first arrives at Ghyllside Hospital, the trauma it supposes, and readers can start to see how and why her mind starts to unravel; and a particular day in 1964, when one outing with one of her friends and hospital peers, Doris, turns into a nightmare. We also get to see, though briefly, the consequences of that outing, and there is a chapter at the end, set in 1989, which functions as an epilogue, and links it directly with Matilda Windsor.
This novella shares the virtues of the previous book, and it bridges the possible gaps left by the other, as we get to see more of what Matilda experienced and share with her some of the terrible humiliations and spirit-breaking practices she had to suffer. Seeing her robbed of her dignity, ignored (at best) or abused, the subject of dubious psychiatric treatments and moral judgements, and experiencing loss, guilt, and repeated trauma, it is no surprise that her mind sought refuge in a fantasy world that granted her an important and grand role in life.
I loved the way the story puts readers in the shoes of the protagonist, and we get to live what happens through her own eyes: the fear, the trashed hopes, the moments of joy, the many disappointments, the companionship, the grief, the confusion… This is not an easy read, and I caution people who might have experienced or known similar events, as it is heartbreaking at times. The author also manages to include snippets about the historical and social events taking place in the UK during those eras. We hear about WWII and how the recruitment efforts reached even the psychiatric hospitals; we also hear about race relations and discrimination; domestic violence and its terrible consequences (Doris’s story brought tears to my eyes); changes in Mental Health law and in the understanding of mental illness definitions, classifications, and treatments… It is particularly telling to see how isolated and “protected” (in a certain way) the character is from the outside world, and how she can hardly recognise her own town when she goes back 25 years later. It is a sobering thought.
Although the story centres on Matilda, there are a few other characters we meet. Doctors (very few make an appearance, unsurprisingly considering how things were run at the time) and nurses are not identified by name, and seem interchangeable, not individualised, as they might have appeared to Matilda, for very good reasons. Other patients do have a more important part to play, and I adored Doris. She suffered a terrible loss, but she is a survivor, and she helps Matilda keep afloat and keep going. Some of her behaviours reminded me of many patients I have met over the years, but she is pretty unique.
The writing is as beautiful and poignant as in the previous book. Although there are no lengthy descriptions of people or places, the author manages to make us feel the sensations, the touch, notice the smells, and be gripped by fear and embarrassment as Matilda is. The characters’ expressions and turns of phrases are distinctive and reflect the era and the location, and the pass of time and the changes in social mores are brought to the fore by the way the story is narrated.
As I said, I am not sure this novella would work as a prequel, though. Having read the novel first, it is difficult to think how it would feel to read this one without knowing anything about the character beforehand. Part of the story in Matilda Windsor takes place before 1939, although the majority of the story is set many years later, right at the point where we leave Matilda and a new character is introduced in the novella. I can see how this narrative fits in neatly with the rest of the story, and I am sure that people who read it first will glean enough information from it to make an educated guess as to what is likely to have happened, and will be eager to find out the rest by reading the main novel. On the other hand, considering the way Matilda Windsor is constructed and told, I think the impact of reading the full novel and putting the pieces together might be lost if Stolen Summers is read first. Ultimately, both of them are fantastic, so the order in which they are read may well be a moot point.
Another great story by Anne Goodwin, and one I recommend to all who have read Matilda Windsor Is Coming Home. And to those who haven’t yet, but are interested in the topic, enjoy great characters, and a story that touches upon social justice with a focus on mental health, now you can choose, if you want, to read Stolen Summers first, but I am sure you will end up reading both of them. Highly recommended.
(An aside: As a psychiatrist, I have never seen or even heard, from colleagues or patients, of the use of wet packs, although a bit of research brings plenty of information on them, and it seems that they might still be in use for children or adolescents in the autistic spectrum, or as a hydrotherapy treatment, although applied quite differently to the novella’s description. I have seen ECTs used (and yes, as junior doctors we had to perform those as part of our training) with very good effect on patients suffering from severe depression. There is plenty of evidence of their effectiveness, more than for most other psychiatric treatments, but the indications and circumstances of their use have changed, and they are highly regulated and only used as a last resort these days, at least in my personal experience).
Oh, and for those of you who love authors’ readings, here you have Anne Goodwin reading a fragment from Matilda Windsor Is Coming Home.
Thanks to the author for this opportunity, thanks to Rosie and the whole team for their support, thanks to all of you for reading, and remember to stay safe, to keep doing what makes you happy, and to always keep smiling. ♥
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Un comentario sobre “#Reviews: A heartbreaking tale of betrayal, confinement and dreams of escape by Anne Goodwin (@Annecdotist) A close and personal look at UK society and mental health care in the XX century”
Many thanks! It’s an amazing story, as is the original novel.
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